Went to the exhibition on Singapore’s theatre history called Script & Stage at the National Library.

It is a shame that an important chapter from the 80s has been excised for evidently political reasons: The history of the pioneering and politically- and socially-conscious group called Third Stage. Its members were jailed without trial in the alleged ‘Marxist conspiracy’ of 1987, namely, Wong Souk Yee, Chng Suan Tze, William Yap, and Tay Hong Seng. Look at the panels below for the sanitised version in which Third Stage is not even mentioned (they mention Kuo Pao Kun’s arrest in the 70s, but I guess he has been rehabilitated):

Let me quote from Wong Souk Yee’s article (http://s-pores.com/2010/03/third-stage/):

Third Stage was at its most productive from 1983 to 1986, staging a total of eight plays, all written and developed by its members, on issues and themes that affect Singaporeans, such as the graduate mothers’ scheme, education policy, in particular the destructiveness of the early streaming of school children, marginalisation of the lower-income and foreign domestic workers. Literary critics might consider the plays counter-discourse to Singapore’s nation building. Because of the group’s predilection for creating plays that depict human frailties and destabilising official narratives (such are the staples of any number of theatre groups in the world — with the exception of some dictatorship regimes), it was considered a security threat in the insecure minds of the government.

Shame on whoever who is trying to whitewash history in the NLB show. Now, am I to trust the other things presented and not presented in the exhibition?

Some of Third Stage’s plays have been published, including the play Esperanza, one of the first and still one of the few (I don’t know of any others, so please let me know if there are others) to talk about how badly some of us treat our domestic workers. See