September 25, 2015 § Leave a comment
THIS year’s Singapore International Festival of the Arts (SIFA) again shows that the arts is like life: No venture, no gain. That is, if we go to watch something safe, well-known, we are more likely to be rewarded, but rewarded with only a “not-bad” night or day out. On the other hand, if we try something less safe, less popular, we are less likely to be rewarded — but when the reward comes, oh my, it can change us and the way we see the world. True, if we take a risk, sometimes are we left with a “huh?”. Or leave scratching your head about what we just spent $20 to $60 or more and an hour or three of our time on. Or sometimes we just hate the show. Once in a while though the experience is transformational, and rarer even, transcendental. That’s what art is about.
Another analogy is a pyramid: at the bottom, the chances of payoffs are more often, but mediocre; at the top, the pay offs are rarer, but superior.
This has been a great Singapore Festival of the Arts. I could not see Hotel by Wild Rice, or that Bukit Brown thing by Drama Box (It Won’t Be Too Long). I hope they will come back.
- Returning by Goh Lay Kuan (loved the music and some of the dance)
- Imagination of the Future (the Chilean play in the Open season of SIFA that because our government banned from baring breasts laid bare Singapore’s censorship: more below)
- Biomashup (a dance with live Theremin music; I was more mesmerised by the musician rather than the dance)
- Cabanons (a head scratcher: circus or theatre?)
- Dementia (innovative but emotionally remote for me)
- Revolutionary Model Play (uneven).
- One part of Dance Revolution (Cambodian Chey Chankethya’s My Mothers and I was excellent)
One of highlights was Drama Box’s The Lesson under the wonderful inflatable space the Goli at Toa Payoh Central. It was truly a lesson on the possibilities of theatre, of politics, and of political theatre.
After one of the shows, I had a chat with one of my favourite critics (and playwright) Helmi Yusof of Business Times about the old but important question of whether SIFA should be popular (like the HK Arts festival: success measured by ticket sales alone) or adventurous (measured by not how many people like it, but whether some people really really love it.) This year’s slate under artistic director Ong Keng Sen is indeed adventurous. That it got the numbers is an added bonus.
My view is that Singapore has such a bustling arts scene offering all the popular, middle of the road stuff from the casinos’ crowd pullers to numerous festivals and shows that cater to more popular needs. This is great. But it is not often that a big festival offers something more esoteric (and I don’t mean esoteric for the sake of being so). SIFA has that role. Unfortunately, SIFA has suffered from schizophrenia for much of its existence: one year it wants to be popular, the next year it wants to be cutting edge. Go for one, preferably the latter. Otherwise the audience gets confused.
Oh, by the way, the other highlight happened at the sidelines of SIFA. It is Keng Sen’s interview about censorship. The highlight from that highlight:
I think first of all the context is very very important. The fact that our censors were not considering context at all means there is an impossible situation actually put forward.
So I think it’s very difficult to show Singapore is a global hub, because all these companies are laughing at us. I feel embarrassed to be going to our international guests with such absurd demands from the censors, like, “Can you please cut the blowjob?” or “Can you do less?”
And in the end this censorship is a real mockery. It’s an international embarrassment for Singapore to be shown to be so childish.
Some seven or eight years ago, I wrote in a report that one of the three main messages from speaking to practitioners, academics and policy makers in the creative industries in Seoul, Beijing, Shanghai and Hong Kong was this: Censorship matters. A very senior civil servant who read the report retorted: “Censorship is no longer an issue in Singapore”. From Keng Sen’s interview, I guess, it still isn’t.
Conflict of interest disclaimer: My plays have been directed by Ong Keng Sen.
September 16, 2015 § 1 Comment
Many people have offered many different reasons for the unexpected PAP rout of the Opposition. I am no politics expert, but they hardly discussed a glaringly obvious one: The goodies given out to voters.
In the last year or so, the numerous sweeteners given out to or promised Singaporeans include, but are not exclusive, to the following:
- The Pioneer Generation Package of $8 billion to help 450,000 people with healthcare
- The Silver Support Scheme giving 150,000 elderly quarterly payouts of $300 to $750 from now on, costing $350m in 2016.
- A personal income tax rebate of 50 per cent up to $1,000
- Premium rebates for 949,000 CPF Home Protection Scheme members, about half getting S$400 or more.
- GST vouchers, of which there are various types, raised
- HDB Service and Conservancy charges rebates worth $80 million for 80,000 households
- Account top-ups for Singaporeans in various education accounts
- Full fee waiver for Singaporean students taking national exams
- Skills Future credit for over 2 million Singaporeans 25 years old and up, with an initial credit of $500 from 2016
- Reduced maid levies, and extending reduction to households with children ages 16 and below from 12 and below. Some 144,500 households will save $720 a year
- Reduced childcare centre costs for many parents
- About 82,000 civil servants received a $500 Jubilee bonus
- Other workers in universities, healthcare and other sectors received SG50 bonuses ranging from $500. Even private sector SG50 payments such as the $1,000 given out by some banks help sentiments
These goodies are either one-time or permanent, already given out or will be rolled out soon, part of or outside the Government Budget. Almost everyone got something, and some a series of payments adding to a very big hong bao.
Some of the sweeteners are similar to those in the 2006 and 2011 election years. But the goodies given out or promised since last year come up to much more.
The important point is that they also add up to a very big reason to thank the PAP-Government at the ballot box. As Deputy Prime Minister and the PAP’s shining star in this election Tharman Shanmugaratnam once wrote in a poem “and happiness is sometimes bought.”
To be sure, not everyone voted from the cash lining their pockets or did so for only that reason or even for that reason. Other factors probably played a part. Among those reported in the media have been:
- The feel-good halo hanging over the SG50 celebrations
- The effect of Lee Kuan Yew’s passing and/or his legacy
- The desire for different voices in Parliament
- The quality of parties and/or candidates in my constituency
- How well the Opposition did in parliament in the last four years
- How well town councils are managed
- The fear that the Opposition will win enough to form the government
- The worry about Singapore’s vulnerability as a country
Some will be more salient than other among certain groups. New citizens are assumed to be pro-PAP, for instance. The supposedly more pro-Opposition young voters were much talked about pre-election as a big danger to the PAP, but were quickly forgotten post-election.
Another reason given for the PAP triumph was the policy changes and better implementation of policies since 2011, These were seen as the key grouses that gave the PAP its worse ever electoral showing ever: crowded trains and buses, too many foreigners, high house prices and the small difference between of citizens and permanent residents for subsidies and other perks. If there is a party that can deliver on these issues, it is the PAP. Leading up to 2011, it hid its head in the sand to the issues or kept the eye off the ball in implementation. After that wake-up call, the PAP quickly moved to address these problems. Add policy fixes to the goodies, the contest was probably already determined way before nomination day.
In 2011, many assumed that PAP’s setback signalled the electorate’s irreversible change from one caring more about bread and butter issues to being more concerned about democracy, diversity in parliament and checks and balances.
But the results of this election, which I see as primarily as a vote for the material and the restoration of good-old PAP promise of taking care of basic needs, shows how misconceived the liberal optimists were.
August 2, 2015 § Leave a comment
How should we think about how the election will turn out? What follows is one way.
- How to tell if it is a good result for PAP? The two key indicators of how well the PAP does will be measured by:
- Total percentage of votes obtained
- Number of seats not lost (since the number of MPs will rise by two)
There are four combinations:
Up-up is good for the PAP; down-down is bad; up-down and down-up will be harder to weigh.
- The basic question about the last election that helps understand this election is:Why did the swing voters swing against the PAP? There are three possibilities:
- Bread and butter issues: Population growth, causing related problems of transport, housing prices, jobs, sense of being overwhelmed by foreigners)
- Democratic issues: People want more Opposition in Parliament for more accountability
- Values issues: Ministers’ salary, relative subsidies for citizens versus foreigners, elitism, ministerial salary, equity and equality. It is hard to tell how much the values issues mattered.
Certainly, all three sets of issues are related: Some people could have swung because of one or the other, but some could have also swung because they felt that the PAP government was not listening to them on the bread and butter and the values issues and the only way to be heard was to have more Opposition MPs. Liberals seem to think that most of those who swung did so because of the desire for more Opposition, but is it wishful thinking?
- In the coming election these are the questions to ask about how the vote will turn out:
- Have the bread and butter issues been tackled enough? The following is one assessment; many would disagree. Housing prices have eased (though it means that people who bought some time ago before the government cooling measures might be miffed at paying higher). Public transport is less crowded (But is it better on the road for drivers too?) While the number of foreigners has increased (the measures have been aimed at reducing the rate of increase) there seems to be perception that it was not as bad as before. Handouts have been generous: Pioneer generation package plus this and that. Will those who swung against the PAP swing back?
- Was the demand for accountability satisfied? Do people who swung because they wanted more Opposition feel now that there are enough Opposition MPs? Do they feel that the Opposition MPs have done enough for them both at the grassroots in the Opposition wards and nationally for all voters?This is a hard call.
- Do people who swung because they felt that the having more Opposition MPs was the only way to get heard on bread and butter and values issues now feel that voting in more Opposition MPs still remains the only way to get heard.
- Have the values issues been solved:Do people feel better treated, and has elitism abated? The gap in the subsidies enjoyed by Singaporeans versus foreigners (in school fees and government polyclinic fees, for instance) has increased. Tougher action has been taken against some privileged/elite people (for example, the 18-month jail sentence for the doctor who AWOLed to enrolled in Cambridge University.) Softer policies have been rolled out that focus on the main the street, such as the huge infusion of funds for community arts: Arts For All. The Jubilee Year celebrations might leave an after-glow for the PAP.
- Will there be a black swan? These include:
- People saying or doing the wrong things:
PAP candidates lost in the following instances when it said or did something misjudged: Mr Lee Kuan Yew telling Aljunied voters in 2011 they will repent in Workers’ Party were elected; Mr Lee in 1984 comparing Mr Chiam See Tong’s paltry O level results against his PAP rival Mr Mah Bow Tan; Dr Seet Ai Mee in 1991 when she washed her hands after shaking hands with a fish monger.
- “Things” happening:
The MRT breaks down several times during election week. Shock events which help pull people gravitate towards one party or other.Mr Lee Kuan Yew’s death?
- People saying or doing the wrong things:
- Fielding of X Factor candidates:
This especially true for the Opposition, which could stand out with candidates who capture the imagination, such as Chen Show Mao. Tin Pei Ling had a negative X factor though she is said to be very popular now on the ground, enough to be fielded in a single ward constituency this time.
I am not a politics specialist, so these are merely observations of someone who is trying to make sense of what is happening. One way to learn more is to talk to other people, from experts to players and average folks. So far, the people I have been spoken to don’t have a consensus, or even a majority, view about why the swingers swung, whether the issues have been resolved, and who will win or lose on both the voting percentage and number of seats measures.
Every election is interesting, but this election will be particularly so.
July 14, 2015 § Leave a comment
“The Malay Problem – The Myth Of The Lazy Native Re-Visited” by Isa Kamari and “Background Vocals: Queerness and Singapore Mainstream Culture” by Ng Yi-Sheng
Cultural Medallion winner and novelist Isa Kamari gave a presentation recently in Hong Kong on the historical and present situation of the Malays in Singapore. (More about Isa here and here.) His spoke about how the myth of the “lazy native” in the past has become the ‘Malay problem’ today. He was part of a panel which included Ng Yi-sheng, Cheo Chai-Hiang, Lee Weng Choy and myself. We were there at the invitation of visual arts space Para Site curator Lim Qinyi, who is mounting an exhibition on the history of Singapore’s visual arts in September. The exhibition is titled A Luxury We Cannot Afford and goes from 18 September to 18 November, 2015. Yi-Sheng also gave a presentation on LGBT history in Singapore titled Background Vocals: Queerness and Singapore Mainstream Culture. Here are the slides and the notes. Hopefully there will be a more integrated essay version.
Isa’s presentation follows after the pictures:
Talk and Panel Discussion
ANOTHER WORD FOR SILENCE
Organised by PARA SITE
Quarry Bay, Hong Kong
28 June 2015
THE MALAY PROBLEM – THE MYTH OF THE LAZY NATIVE RE-VISITED
By Isa Kamari
- The Myth of the Lazy Native
In 1966, the sociologist and researcher Syed Hussein Alatas began pondering the question of why Western colonialists had, for four centuries, considered the natives of Maritime Southeast Asia to be generally lazy. His research eventually produced The Myth of the Lazy Native, a book which was published in 1977. In the book, he cited one instance of a “denigrating” view of the natives, when a German scientist suggested that the Filipinos made their oars from bamboo so they could rest more frequently: “If they happen to break, so much the better, for the fatiguing labour of rowing must necessarily be suspended till they are mended again.” Syed Hussein criticised such beliefs in the book as ranging “from vulgar fantasy and untruth to refined scholarship.” He also asserted that “[t]he image of the indolent, dull, backward and treacherous native has changed into that of a dependent one requiring assistance to climb the ladder of progress”
Syed Hussein wrote and published another book in 1971, Thomas Stamford Raffles, 1781-1826: schemer or reformer?. It is an account of Raffles’ political philosophy and its relation to the massacre of Palembang, the Banjarmasin affair, and some of his views and legislations, during his colonial career in Java, Sumatra, and Singapore.
Let us see whether such notion or image of Malays persists in post-colonial Singapore and whether Raffles’ scheming and colonial policies have planted and entrenched the myth in the lives of the Singapore Malays till today.
- The Malay Problem – Definition
At this juncture, I would like to introduce to you the phenomenon of the ‘Malay Problem’.
Malays who are a minority in Singapore poses a strong challenge to the Singapore Government. It is a fact that in the development of Singapore history, Malays are relatively backward in the economic, social and political spheres. As an under-privileged lot in a country dominated by the majority Chinese who are aggressive in the economic field and who are agile and resilient in the modernization process, the presence of Malays poses complex challenges and instil tension in inter-racial relations (Betts, 1975). This phenomenon has been rightly or wrongly called the ‘Malay Problem.’
- The Malay Problem – The Causes
Scholars and cultural observers of Singapore Malays have attributed the Malay Problem to three main causes:
- British colonial policies – which focussed on the preservation and stabilization of the traditional Malay way of life. The British colonial government practised policies which prevented Malays from active participation in Singapore’s economic development. The British chose to give Malays marginal roles in this sphere. According to Turnbull (1977), Malays were peaceful and hardworking as fishermen, boat hands and woodcutters. Malays were generally not exposed to the demands of the capitalist economy.
- Exploitation by other immigrants – the political cultures of the Chinese and Indians were strikingly different from the Malays. This political culture had been nurtured and developed through centuries of hardships faced by these communities which provide the survival skills of tenacity and ever being ready for challenges (Clutterback 1984). They were well known for their dedication and steadfastness in amassing wealth. Slowly but surely the Chinese gained the monopoly in the economy while the Indians rose to the high ranks in the administration and judicial positions (Sukmawati, 1995).
- The socio-cultural system of the Malays – Focus and spreading of series of values which emphasized the mosque, home and family. The general perception is that Malays as lazy and lacking of initiative to improve their lot. Competition with other communities was not instilled in their minds. There was general absence of desire to amass wealth and be successful in their careers. It was also said that Islam as practised by the Malays also resulted in them accepting their fate which is generally backward. They can only hope that their fortunes would be better in the hereafter. They avoided worldly affairs and lived a simple existence (Sukmawati, 1995).
- Singapore Malays from 1950s till 1990s
To understand whether the above causes are valid and had an impact on the lives of Malays and inter-racial relations in Singapore, and consequently perpetuated the Myth of the Lazy Native, let us do a quick scan on some of the salient issues and challenges faced by Singapore Malays during the period just before Independence till about 1900s:
The issue of division of power in post-colonial days between the Chinese and Malays arose. Racial sentiments known as “Malay Nationalism” were at the forefront.
Nationalism and racial sentiments slowed down the country’s development before 1965. Political conflicts arose when the two countries merged. Singapore was finally separated from Malaysia. This heightened the racial sentiments amongst the Malays who then realized that they had become the minority in a country dominated by the majority Chinese.
Many Malay families were moved from the kampongs to new and modern housing estates. This move was to dismantle the ethnic groupings and forced the Malays to integrate with other ethnic groups. Many Malays were unhappy because their social ties at the kampongs had been severed.
Many Malays were working at the lowest-rangking jobs and brought home low wages. There were many obstacles such as lack of preparation and training, lack of English language proficiency, lack of technical skills, and social and religious restrictions which close their job opportunities in the civil and private sectors (Athsani 1970).
In family planning, the “Stop at Two” campaign was launched in 1966 by the government. The purpose was to limit the size of the family to enable every citizen to have better living conditions at the HDB flats. However Malays in general prefer to have big families.
In 1968, 100 Malay intellectuals and activists gathered to discuss the problems faced by the backward Malays. The Central Council of the Malay organizations, Majlis Pusat, was formed to tackle the Malay Problem.
The income gap between the Chinese and Malays became prominent. Young Malays were not conscripted into the Army or Police, which were their traditional occupation. Malay teenagers were also not called up for National Service, but they were not officially excused from it either. This created a problem for these youths as many employers refused to hire them for the fear that they would be called up for NS at any time. Cries of discrimination were heard from the Malays who felt that these policies favoured the Chinese.
The heightened attempt to integrate the different communities at the HDB estates had caused the Malays to be in a dilemma. They realised that they had to integrate with other communities because of national interests, but at the same time the realization of their backwardness and alienation also deepened, within the dynamics of development of a system based on meritocracy (Betts, 1975).
In 1970, Majlis Pusat organised a seminar “The Malay Involvement in 25 Years of National Development of Singapore: Achievements and Challenges in the 21st Century”. It was at this seminar that the Malay Problem was discussed, especially in the fields of education, employment and housing.
The 1980 Survey revealed a disappointing status of the Malays in the educational and economic fields. Malays occupy the highest percentage in primary education and lowest percentage in secondary and post-secondary education. 63.5% of Malays did not complete secondary education, and 42% failed their Primary School Leaving Examination, PSLE. There were only 679 Malay graduates (Sukmawati, 1995).
The Survey also revealed that the Malays occupied the lowest number in technical and professional jobs. Malay professionals constituted 6% of professionals, compared to 12.2% Chinese and 11.3% Indians. In public administration and management, Malays only constituted 0.7% compared to 6.8% Chinese and 6.4% Indians. In contrast Malays constituted 67.8% of factory workers.
The Malay MPs gathered to find a solution which was more systematic, integrated and effective to the problem that had plagued the Malay community. A self-help group, The Council of Education for Muslim Students, MENDAKI was formed, which focussed on the field of education to uplift the Malay community.
The PM elevated the status of the ‘Malay Problem’ from that which was faced by a specific community to that of a national level. The Malay Problem had clearly hindered the progress of the country.
Other social issues like drug addiction and high level of divorce rates amongst Malays also came to the forefront. It clearly undermined many efforts to uplift the community.
The promotion of Mandarin also irked the Malays. Many felt that the status of Malay as a National language was threatened. Many Malays also felt that the criteria of proficiency in Mandarin in some jobs also favoured the Chinese.
The imposed quota of ethnic groups at the HDB estates, and that of 20% Malays in national schools, and the rather relaxed policy on immigration of Chinese from Hong Kong and mainland China also created suspicion and worry amongst the Malays.
Goh Chok Tong took over as Prime Minister in 1990. The administration of Singapore which was based on the tripartite bond between the workers’ union, the administration, and the government in the management of the economy was expanded to the management of ethnic relations. Politics became corporatist as the government elites formed tendencies and programmes to administer Singapore society based on ethnic groups, including those involving the economy, politics, religion or race (Brown, 1993). Self-help groups based on ethnicity were seen to be the effective way to elevate the achievement of the different communities. Thus some adjustments to the cornerstone policy of meritocracy were made so that some form of ethnic balance was achieved in all sectors. The implementation of the original meritocracy principle seemed not to work well.
Malays performed better in education and other fields although there was still lack of Malays in the high-ranking jobs. They were seen to have participated more in national development. They were no longer perceived to be marginalised. That was the official position of the Government which declared that there was no longer a ‘Malay Problem’.
The question was and still remains whether this is true.
Let us move next to my novels.
- The Novels
The novel relates the founding of Singapore in 1819 from the perspective of the indigenous Malays in contrast with the official versions which are either told by those in power or by the British colonialists. Important colonial characters like Raflles, Farquhar and Crawfurd were confronted by the likes of the Muslim saint Habib Nuh, silat master Wak Cantuk, Sultan Hussein and Temenggong Abdul Rahman. The famous Malay intellectual Munsyi Abdullah who worked for the British as a translator and scribe also played a major role in the narrative. Raffles in particular is portrayed as the merciless schemer who exploits the weakness of the Malay leaders and community to ensure that his British imperialist vision is securely planted in the region with Singapore as the base, just as it is deliberated by Syed Hussein Alatas in his book.
What is important to note in the narrative is the exposition that some of the major policies and actions of the British colonialist have a great and far-reaching impact on the local Malays which translates into some aspects of the Malay Problem faced by the community in modern Singapore. Policies such as segregation of the different communities, and the conscious move to restrict Malays to the lower ranks of administration, and the encouragement for them to be involved in occupations like agriculture and fishing and not get involved in trade and commerce, have created and perpetuated a backward community in post-colonial Singapore.
Part of the blame also rests on the Malay leaders as depicted in the novel through the characters of Sultan Hussein, Habib Nuh, Wak Cantuk and Munsyi Abdullah, for failing to offer viable and effective solutions to uplift the community from backwardness.
It is the story of the Orang Seletar who is the indigenous people of Singapore. The story spans 3 generations and relates the fate of the boat people which lived on the rivers and shores of the island. Arising from the need to build a dam on the Seletar River, a group of them have to make a choice whether to live inland and be assimilated with the mainstream society, or forced to move away from their homes if they were to continue with their living on the waters.
The main character, Rawa chooses to move to the estuaries in Johore, while his daughter Kuntum marries Lamit, a Malay man and lives inland. Kuntum has to adjust to living in a shipyard workers’ barrack at Sembawang before moving to a Housing Development Board, HDB flat in Yishun. She also has to work as a factory worker to earn extra income to support the family and their modern lifestyle. Both Lamit and Kuntum have a son, Hassan who becomes very close to his grandfather after visiting him at Kampung Bakar Batu in Johore. Rawa then has to live with them at the HDB flat after his wife Temah dies. Hassan has an ambition to be a naval architect and loves rowing the canoe. Rawa tries his best to impart the values of the Orang Seletar to him while not stopping him from immersing himself with modern education and lifestyle.
Through the lives of Rawa, Kuntum and Hassan, the story is related from the perspective of the indigenous people of Singapore which have to face the onslaught of fast-paced development of the country since separation from Malaysia in 1965 till the 1990s. The issues faced by the Malay community in general form the background of the story.
A Song of the Wind
It is a ‘growing-up’ story of a young boy named Ilham who lives in a kampong located in the midst of a Chinese cemetery. The background of the story is Singapore in the 1960s till 1990s. It is a time of great challenges for the Singapore Malays as related in my earlier deliberation on the Malay Problem.
The community at Kampong Tawakal is multi-racial. The Chinese landlord has a provision shop which is patronised by his tenants comprising of Chinese, Malays and Indians. Ilham grows up with a group of close multi-racial friends amidst the squalid conditions of the kampong.
Despite the poor and deprived background, Ilham manages to top his class in primary school. His family then moves to the HDB flat at Ang Mo Kio when Ilham enters secondary school at Raffles Institution, a premier school in Singapore. His family then faces the challenges of living in a modern city. Since his father does not earn much as a gardener, his mother has to work as a housemaid to support the family which has grown to 8 from the 6 when they were living in the kampong.
When he is at secondary school, Ilham becomes acquainted with a religious teacher through a schoolmate. During that time, at the world scene, the Iranian Revolution has just taken place. Unknowingly he gets involved in an alleged clandestine group and is confronted by the authorities. He is interrogated by the Internal Security Division, ISD but released with a warning not to be involved in such underground activities again. He is finally arrested and detained under the Internal Security Act, ISA when it is seen by them that he has not learnt his lessons.
Again the narrative of the book is from the perspective of the Malay community facing the various political, social, economic and religious changes during the development of Singapore from a third world country to that of a modern city.
From the discussion above, The Myth the Lazy Native in colonial days seems to have been preserved and transformed as the Malay Problem in modern day Singapore. While there are many attempts by both the Government and the leaders of Malay community to eradicate it from the psyche of the Malays, and from the perception and portrayal of the community by others, some policy decisions by the Government seem to have entrenched and propagated the myth further. Whether it is a reflection of a series of deliberate or strategic moves by the Government or not, deserves a concerted study, but suspicion and restlessness of the Malay community linger. These insecure feelings are further heightened by the recent policy of bringing in throngs of Chinese and Indian immigrants from mainland China and India respectively, to achieve a target of 6.5 million citizens by 2020. Amongst many Singapore Malays, their status and importance as the indigenous people of Singapore seems to have been challenged. Many feel that they are strangers in their own homeland. Many also feel that the Government has somehow given up on the under-performing Malays and resorted to bringing in immigrants from abroad to support the economy, at the risks of disintegration of the social fabric.
Having said that, in my novels, I have attempted not only to tell the story of the under-privileged Malays, but also offer windows of inspiration, hope and aspiration for progress and development through the portrayal of characters which run contrary to the downward progression of the community in general. Characters like the 3 friends, Ramli, Sudin and Ajis in 1819, Hassan in Rawa and Ilham in A Song of the Wind are symbolic and emblematic of the constant struggle and initiatives of some Malays to uplift their community through the assimilation of positive values brought about by modern living without compromising those which are crucial for the preservation and growth of their identity as Malays. They not only learnt painful lessons from the past but are firmly rooted to the present and have a hopeful vision for the future.
- Athsani K and Dzaffir R. 1970. “Singapore Malays and Employment opportunities” in Sharom Ahmat and James Wong (eds) Malay Participation in the National Development in Singapore. Majlis Pusat.
- Betts, R H. 1975. Multiracialism, Meritocracy and the Malays of Singapore, Massachusetts Institute of Technology.
- Brown, D. 1993. “The Corporatist Management of Ethnicity in Contemporary Singapore”, cap 2 in Rodan, (ed). Singapore Changes Guard. New York: St. Martin’s Press.
- Clutterback, R. 1984. Conflict and Violence in Singapore and Malaysia 1945. Singapore: Graham Bash Pte Ltd.
- Isa Kamari. 2013. 1819. Kuala Lumpur: Silverfish Books.
- Isa Kamari. 2013. A Song of the Wind. Kuala Lumpur: Silverfish Books.
- Isa Kamari. 2013. Rawa. Kuala Lumpur: Silverfish Books.
- Sukmawati Sirat. 1995. “Trends in Malay Political Leadership”. Phd Thesis. University of South Carolina.
- Syed Hussein Alatas. 1971. Thomas Stamford Raffles, 1781-1826: schemer or reformer?. Singapore: Angus and Robertson.
- Syed Hussein Alatas. 1977. The Myth of the Lazy Native. Singapore: Cambridge University Press.
- Turnbull, C. M. 1977. A History of Singapore 1819-1988. Singapore: Oxford University Press.
May 14, 2015 § Leave a comment
My edited notes for forum on Fear of Writing? The Development of Political Theatre in Singapore at the Esplanade:
Of course we should not be allowed to say, to write everything that comes to our head. We should not be allowed to call for murder or arson or assault. But the limits matter, the limits are the points of contention. In other words, there are just laws and unjust laws.
The artist’s fear is not just that of censorship, but of worse. Indeed, censorship, though painful, demeaning and an act of violence against the artist and disrespect against the thence-deprived audience, sometimes reduces fear of other kinds of punishment because it means a certain sanction, however grudging, of whatever remains. However, this not always so, as censorship is often just the first of many feared punishments arbitrarily inflicted on the artist for even daring to challenge the status quo.
Is there any fear of writing in Singapore? There are two categories of fear. There is the fear of losing x or of suffering y. Of losing our job, of losing our standing, of losing our freedom, of suffering funding cuts, of not getting a scholarship, of not getting that promotion, of not getting into university or of our children not getting into university, of getting red-flagged or black-listed, of being censored, of being censured, of getting into any kind of small mess and inconvenience in our already complicated-enough lives that don’t need any more complications.
Then there is the second category of fear that both arises from and can result in the first category of fear coming true. The fear of writing, of painting, of creating, of producing, of directing, of acting, of making videos about dead people, and (these things extend beyond the field of arts to everyone) of saying you Like something such as a video about dead people that the government or the mob might not, of coming together to do things, of being seen to be doing things, of being seen to be with certain people or to have certain friends, of publishing online or in academic journals, of speaking in Hong Lim Park or in the classroom to your students or to your fellow students, of suggesting alternatives, of resisting, of expressing the precious things that are deep down inside us. This category is that of the fear of living according to what we truly believe in. It is the fear of being.
Not everyone fears everything. Not everyone has fears in the first category, fear of consequences. Furthermore, not everyone fears to do things in second category because she fears things in the first, the fear of consequences. Unfortunately, we have among ourselves precious few of these people. I don’t deign to count myself amongst them, far from it.
The forum was chaired by Janice Koh
Speakers: Ivan Heng, Alvin Tan, Robert Yeo and myself.
9 May, Sat, 4pm, at Open Stage, library@esplanade,
Synopsis: Despite our relatively brief theatre history, the Singapore stage has had no shortage of plays and performances that have courted controversy or compelled the use of the censor’s red pencil for their political content and commentary. How has political theatre in Singapore changed and developed over the years, if at all? What is the role of political plays here, and how effective or impactful have they been as a forum for reflection and transformation? What is the relationship between the artist, the State and audiences? In a place where artistic content continues to be regulated through licensing and funding, how have our theatre-makers found ways and strategies to be heard? Can art really speak truth to power? Is there a fear of writing? In a panel discussion moderated by Janice Koh, playwrights Robert Yeo and Tarn Tan How, together with theatre directors Ivan Heng and Alvin Tan, come clean on the subject.
Esplanade Studios 50 Production of ‘The Lady of Soul and Her Ultimate “S” Machine’, and reading of ‘Machine’ and ‘Fear of Writing’
May 14, 2015 § Leave a comment
The Lady of Soul and Her Ultimate “S” Machine
Includes interview of director Zizi Azah Bte Abdul Majid.
Cast: Crispian Chan, Dominique De Marco, Shafiqah Effandi, Gene Sha Rudyn, Prem John, Farez Najid, Rizman Putra, Lian Sutton
“Tan Tarn How’s satire Lady Of Soul still sings the Singapore blues”, by Corrie Tan, May 8, 2015, The Straits Times
“Tan Tarn How’s political play from the ’90s continues to resonate even today”, by Mayo Martin, Today, May 9, 2015
Machine and Fear of Writing
Directed by Goh Boon Teck.
Cast: Andrew Lua, Terence Tay, Amanda Tee & Zee Wong
July 18, 2013 § 1 Comment
by Orangedot Productions
Co-produced by Esplanade – Theatres on the Bay
Date 18 Jul 2013, Thu – 20 Jul 2013, Sat
Time 8pm (1hr 40mins, no intermission)
Appliance repairmen Rex and Heng turn up at the home of two listless friends Lina and Kim, and proceed to “fix the washing machine”. But things are not what they seem as a spiral of events soon leads the four into the uncharted territory of the heart.
Performed by up and coming actors, Julian Low, Eden Ang, Oon Shu An and Seong Hui Xuan, this chilling production takes a hard look at love, sex and romance, and explores the timeless theme of predator and prey in the need-want-desire game of relationships.
Written by Tan Tarn How, who won Best Script with this play in the 3rd DBS Life! Theatre Awards in 2003, and directed by Jeremiah Choy, who was nominated for Best Director for Machine in the same Awards.
(This post is backdated.)